A timeless classic - the story of an 'ordinary' couple works just as well today as it must have done upon release almost a hundred years ago. Vidor worked on the script from early 1926, then shot the film unhurriedly until the end of 1927 - with a number of alternate endings. It was innovative in the use of hidden cameras on the streets of New York, giving it a very realistic feeling - and the acting's naturalistic as well - none of these grand gestures. In fact James Murray was an extra who Vidor happened to spot and Eleanor Boardman was Mrs Vidor - they're both terrific, e.g. in argument scene involving a cupboard door. It remains funny, well observed, tragic and moving.
John Weaver shared the screenplay credit and Joe Farnham wrote the good titles (in itself an art form - this is where the 'dialogue' takes place).
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| Wilder borrowed this for The Apartment |



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