Friday 2 December 2016

Cash McCall (1959, released 1960 Joseph Pevney)

From the same author as the 'Executive Suite' novel Cameron Hawley, adapted by Lenore Coffee (The Great Lie) and Marion Hargrove. James Garner is the forerunner of the Richard Gere character in Pretty Woman whose business is buying and selling companies - only this one belongs to Natalie Wood and her dad Dean Jagger, also from Exec Suite, as is hotel manager Nina Foch (in a slightly barking sub plot). Hard-working Henry Jones, familiar to us from Vertigo, Will Success Spoil Rock Hunter? and The Girl Can't Help It, latterly much on TV, is the lawyer with a conscience. With E.G. Marshall and Otto Kruger.

Wood doesn't have much to do, really. At one point she and Garner are about to eat chilli con carne with a glass of milk. She had a lucky escape there.

It drifts along quite happily, undisturbed by anything serious. There's a definite cut in the flashback scene of Natalie stripping off (the music track jumps) which needs investigating.

Shot by George Folsey for Warner Brothers.



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