Distinctly Felliniesque (the light which turns into an aircraft is a direct quotation),
La Dolce Vita for the 21st Century, but funnier.
Toni Servillo (
Gomorrah, Le Conseguenze dell' Amore) is absolutely splendid as the weary cynical observer of the party-going ruling class in modern Rome (a chilly representation of the city).
Fantastic, sweeping photography in Panavision by Luca Bigazzi (
This Must be the Place, Romanzo Criminale) with stunning candlelit scene in a museum, and incisive editing by Cristiano Travaglioli, great music too Lele Marcitelli.
With Olivia Magnani, Sabrina Ferilli,
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