Sunday, 6 April 2025

Here (2024 Robert Zemeckis)

Through the ages in (on on) one house, shot from a fixed camera. 'Look at how clever we are' instead of 'let's make an engaging film'. It totally screws with a good and Eisnerish plot (it was based on a graphic novel by Richard McGuire, so that fits), robs us of the power of shot size changes and leaves most of the actors in the background so you don't even recognise who half of them are.

Who are Tom Hanks (digitally youthed), Robin Wright, Paul Bettany, Kelly Reilly (didn't even recognise her), Michelle Dockery, Gwilym Lee, David Fynn (inventor) and Ophelia Lovibond, Nicholas Pinnock, Nikki Amuka-BIrd, Cache Vanderpuye.


My favourite of the stories



Treasure of the Sierra Madre (1948 John HUston)

Huston was accompanied on the picture, filmed partly in Mexico, by a representative of author B Traven called Hal Croves. He suspected that Croves may have been Traven, a mysterious figure indeed who may have actually been an amalgam of more than one person. It was also filmed in California and on Warner Bros. sets, somewhat beautifully, by Ted McCord.

The screenplay is beautifully ironic and well constructed. Huston won Oscars for Direction and Screenplay and Dad Walter won for Supporting Actor.

With Tim Holt, Bruce Bennett, Barton MacLane, Alfonso Bedoya. Max Steiner wrote a great score, orchestrated by Murray Cutter. Owen Marks edited.

Memorably messy bar room fight one of many memorable scenes.


So close...



Wednesday, 2 April 2025

Trio (1950 Ken Annakin, Harold French)

Opens with Maugham telling us it's our fault there's a sequel as Quartet was popular!

James Hayter is "The Verger" who is let go (by Michael Hordern) because he can't read or write. ("What's he doing with a newspaper?" Q asks later.) Decides to marry Kathleen Harrison and make a go of it.

Nigel Patrick gives one of his frenetic performances as "Mr Know-All" who takes an overseas voyage with fellow passengers Wilfred Hyde White, Naunton Wayne and Anne Crawford. Despite his unpopularity he proves to be a man with heart.

R,C. Sheriff and Noel Langley join Maugham as screenwriters, though who wrote what isn't attributed. Similarly the camera duties of Reginal Dwyer and Geoffrey Unsworth aren't defined.

In the most personal episode, "Sanitorium" where Maugham himself was treated for TB, the great Roland Culver is admitted as a new patient. Fellow sufferers are Jean Simmons, Raymond Huntley (with visiting wife Betty Ann Davies), rivals John Laurie and Finlay Currie, shady past Michael Rennie and Marjorie Fielding and Mary Merrall (both rather unfairly uncredited). The doctor is André Morell. It's bittersweet and rather deeper than the other two - the best segment. This is the one French directed.


It was the ladies I didn't know so well. Anne Crawford was in a ton of movies I've never even heard of, as well as Millions Like Us, so it's not surprising we're not better acquainted. Betty Ann Davies though was in KippsIt Only Rains on Sunday, The Passionate Friends, The History of Mr Polly, The Blue Lamp, Outcast of the Islands, and we've just seen her in Grand National Night. She sadly died young following appendicitis complications.

Encore (1951)

"The Ant and the Grasshopper". Adapted by T.E.B. Clarke, directed by Pat Jackson.

A pleasure to have Nigel Patrick and Roland Culver in the same episode playing brothers, one a dissolute wastrel, the other a serious hard worker. Patrick is great as he turns up to embarrass his brother becoming his club's door man, bartender, window cleaner etc.


"Winter Cruise" adapted by Arthur Macrae, directed by Anthony Pelissier.

A chattery woman, played by Kay Walsh (a splendidly atypical performance), starts to drive officers on cruise ship crazy: Noel Purcell, Ronald Squire (The Rocking Horse Winner) and John Laurie. They launch a French steward at her with somewhat bizarre results.

"Gigolo and Gigolette", adapted by Eric Ambler, Directed by Harold French.

Maugham introduces this story by saying it should be illegal for people to perform death-defying stunts to amuse a vacuous crowd. We agree. This kind of act emerged in the 1920s, I think. Glynis Johns is the high diver who's beginning to get the shakes. Her husband / boyfriend or whatever he is (Gigolo?) Terence Morgan doesn't seem to really care about her. Leads to a curiously unsatisfying (though scary) finale.


Overall, the lesser of the three films (and the last of the series). Photographed by Desmond Dickinson at Pinewood.