In my ignorance I once thought that the gorgeously muted colour palette was borrowed from Cardiff, but it's clearly the work of Otto Heller.
Briskly put together by Noreen Ackland film has some humour but misses Pressburger, who when asked for his opinion claimed never to have seen it, which I find difficult to believe. Anna Massey finds herself on our screens once again; piano score by Brian Easdale
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