Set in the Tokyo 1964 Olympics, Cary Grant's final film is an old-fashioned affair in which he effectively matchmakes Jim Hutton with the fresh-faced Samantha Eggar, who's been mainly on TV and who's main credit is perhaps William Wyler's The Collector.
It's a sort of USA-Japan PR exercise.
Harry Stradling lights the sets high key.
Inoffensive but bland, like a ham sandwich with no mustard.
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