Leap Year proves that there is an endless demand for romcoms which end exactly as the audience predicts. Frankly, we could have written a better screenplay than Deborah Kaplan and Harry Elfont's lame effort, which could easily have been ripped off from IKWIG (castle and folklore included).
Amy Adams is terrific, Matthew Goode OK. This particular representation of the Irish is frankly rubbish.
Shot by Newton Thomas Sigel (Drive, Leatherheads, Confessions of a Dangerous Mind) and edited by Nick Moore (Burnt, She's Funny That Way, Love Actually, About a Boy, Notting Hill).
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