Apart from Richard Jenkins, no one seemed to acquire star status: Peter Krause, Michael C Hall, Frances Conroy, Lauren Ambrose, Freddy Rodriguez, Rachel Griffiths, Jeremy Sisto.
They're an unlikable bunch of characters, at the outset.. though Nat seems the nicest, and to have the knack of helping their customers - and here we get interesting stories involving the deceased, who are gang members, porn stars, old people, gulf War vets... Certain powerful episodes e.g. dead baby, gay killing.
Also, Nat starts finding out who his father really was... As we start to find out more about them all, behaviours become more understandable.
Thomas Newman wrote the theme.
Shot compositions like this recur throughout all seasons, like it's a house style. |
"Nothing makes me happier than watching a show come together in a way that surprises me. Or getting a script where I don't have to do anything to it. I want this to be fun [Ball] said, then added Maybe I'm just lazier than most people. For much of its five season run, the writer's room could lay plausible claim to being the happiest in TV.. For the final three seasons the membership of the room remained exactly the same, an almost unheard-of distinction.
In the course of its run, the Six Feet Under's writer's room would include New Yorker cartoonist Bruce Eric Kaplan, the playwrights Rick Cleveland, Nancy Oliver and Craig Wright and the writer Jill Soloway, whom Ball hired on the strength of a short story called 'Courtney Cox's Asshole'."
Excerpts from 'Difficult Men' Brett Martin.
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