Yes. She might have understood more had she talked less. It's a dance, a social comedy of manners in which neither of the two can understand the other's feelings, hindered as they are by the judgements and impressions of all those around them, Mildred Natwick, Eileen Brennan, Cloris Leachman, George Morfogen, Nicholas Jones - even various concierges and bell hops. So whilst Frederic Raphael's writing stresses these social conflicts with amusing dialogue it still tenderly makes its way towards tragedy.*
Full credit to the cast who enact these long takes with complicated camera moves - something about the overlapping dialogue and the moves and the period and even the end credits made me think of The Magnificent Ambersons more than once. Beautifully shot by Alberto Spagnoli, edited by Verna Fields, no music score. The end fade to white anticipates Six Feet Under.
Larry McMurtry's son James plays the kid.
Loved the shot of Cybill being driven away in carriage outside the Colosseum. Q usefully informs me that Roman Fever was malaria ('mal aria' - bad air) emanating from swamps in this part of town.
Troubled family - sister Marilyn also committed suicide, told in brother James's book 'The Los Angeles Diaries' |
*In fact Peter is latterly reported as saying he didn't use any of Raphael's script.
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