Owes a certain something to The Innocents, with its brilliant, deep focus Panavision photography and sound effects, great use of widescreen.
Good stuff with mirrors, too |
Julie Harris is the psychologically warped investigator, accompanied by Richard Johnson, clearly gay Claire Bloom and Russ Tamblyn
Not heard of DoP Davis Boulton, composer Humphrey Searle and editor Ernest Walter. Though it's unlikely they would have seen it, those dark skies were also produced with infra red stock, same as Soy Cuba. Great production design too (Elliot Scott).
Certainly eerie and very stylish, if not a bit bonkers (though I suppose you could say that about any other film in this genre).
No. 1 in Martin Scorsese's scariest films!
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