Oldman decides to shoot everything up close making it all the more uncomfortable. Everything has a very realistic feeling. "A love letter to my family, my Dad" Oldman was quoted as saying - he's a recovering alcoholic and his "father died of it"; he was sick of watching unreal films like Reservoir Dogs and Leaving Las Vegas and wanted "to take the gloves off". I think he succeeded. (Ironically, you need alcohol to stomach the film.)
But it's not the sort of film you want to watch more than once in every twenty years or so. It's quite long, too.
Shot, very darkly, by Ron Fortunato. Music by Eric Clapton, as well as such good stuff as 'Peculiar Groove' by Frances Ashman. A producer is Luc Besson, who had worked with Oldman on Leon.
Won BAFTA for Best Screenplay, and has more 'cunts' to the minute than any other film.
Won BAFTA for Best Screenplay, and has more 'cunts' to the minute than any other film.
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