See Cameron's comments here. With these in mind, his aim to serve tribute to Manhattan becomes understandable and indeed the chapter headings are quite Woody Allenish too (Hannah and her Sisters). What is less easy to understand is how Pulp Fiction would have solved the script problems he had. PF's innovation was I suppose the way that the film ends in flashback, and I don't see how that would have helped what is a linear story here. I'll have to ask him.
It was nice to see Seattle playing itself for a change.
I think it's rather good.
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| The Jerry Zeismer cameo |
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