Constantly interesting camera angles and moves plus exotic setting had me thinking both of Touch of Evil and Soy Cuba - the fine camerawork is by Paul Vogel (a year after his Oscar for Battleground; he went on to The Time Machine). Then it moves into the air, culminating in an exciting crash / escape filmed entirely from a plane. Then we move into Night of the Hunter territory (notice though how all these films referenced are still in the future) in a studio fog-filled swamp and a fantastic conclusion as a speeding boat pulls into the mist as shots are fired...
Soy Cuba I tell you |
You can tell right from the off you're in good hands - dazzling opening shot from inside a car, then film changes locations about seven times in the first three minutes. Music by Laura's David Raksin.
Very good, very interesting.
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