Not a lot to add to this though should point out in line with Women Film Editors project that Dorothy Spencer's your fella responsible for that great assassination / chase sequence as well as the climactic crash at sea - the latter is quite incredible when you think it was shot in a studio tank with invisible back projection - as soon as colour came in, it made that sort of thing much harder.
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| We love Harry Davenport |
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| Laraine Day (it's her best known film) and Herbert Marshall |
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