Thoughts? I got how good the script /dialogue is last time. (Forget the plot.) Bogie is like Poirot (always ahead of the game). "How do you like your brandy?" "In a glass."
Exchanges between Bogie and Bacall are fantastic (e.g. 'in the saddle', 'comes from behind' etc.)
I like when they phone the police and he starts saying 'my daughter wouldn't like that'- it's got the flavour of They All Laughed (or rather, the other way around). Both films have sexy girl taxi drivers also (is They All Laughed a remake of The Big Sleep?) And this is kind of where the Coen Brothers come from (Fargo).
I mean, it's great casting. I particularly like Martha Vickers as the bad sister. And that's a young Dorothy Malone as the bookstore owner (is that the origin of the scene where a girl takes off her glasses, lets her hair down and looks fantastic, or had this been done zillions of times before?)
She tried to sit on my lap while I was standing up. |
Somehow I love all the character names even though no one ever understands the plot: Colonel Sternwood, Eddie Mars, Sean Reagan, Mrs Rutledge, Geiger.
Is this Bogart's only moment of camp?
"Would you happen to have a copy of a Ben Hur 1860?" |
The ear (he keeps pulling his ear).
Is it - to coin Paul Schrader - monocular? Bogie seems to be in every scene...
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