Wednesday, 11 December 2024

Lassie's Great Adventure (1963 William Beaudine)

The Lassie TV series had begun in 1954 - this was I guess stitched together from four continuing episodes for cinema release, filmed on location and at Desilu (formerly the RKO Studios), written by Monroe Manning and Charles O'Neal from a story by Sumner Arthur Long, adapted by Maria Little. We figured this had to be Pal's grand-pup, under the tutelage of Rudd Weatherwax, who has taught the canine rafting through the rapids, descent from height and even travelling in a helicopter. But what's remarkable about this is the inventiveness of the boy, played by Jon Provost (actually 13), who manages to get them out of the balloon stuck high up in a fur tree, makes a fire, kills and cooks wild boar and fish, makes a stretcher for the (momentarily) injured canine and a raft, and had me thinking that this is the boy who grew up to be Matt Damon in The Martian. (And, hopefully, encouraged other boys - and girls - to learn this useful outdoor stuff.) Talking of girls, Q thinks after the movie came out all the girls would have been after him! Though he had already been in all 250 episodes of the series from 1954 - 1964 (therefore must have been through more than one incarnation of Lassie), was in one or two movies in the sixties and then returned for 48 episodes of The New Lassie, 1988-92 (a flop).

The adults appearing are a footnote. Makes you think how many TV actors there have been.

Also proves that the Mounties always get their man... and dog!




Monday, 9 December 2024

Rich and Strange (1932 Alfred Hitchcock)

Q had to abandon ship as the picture was fuzzy and the dialogue often inaudible - the foley, she observed, was louder than the talking - weird, considering Hitch's attention to sound detail.

It's quite lively, cinematically, played much for laughs, partly inspired by a cruise the Hitchcocks had been on. Henry Kendall as the husband is wholly unsympathetic and a complete brute (and not much of an actor). Joan Barry and Percy Marmont are warmer figures but the 'Princess' Betty Amman is horrible! (And not much of an actress.)

The film was originally intended to end - so he told Peter Bogdanovich - with the couple arriving back and telling the story to Hitch himself, who responds 'No, I don't think it will make a movie'.



Uncle Buck (1989 John Hughes & scr)

Buck really is a great uncle. "Now if the object of the game had been to get the ball as close as possible without touching any pins, you'd be the best."

But - who on earth are those people Culkin glimpses when he opens the letter box?

I don't think they were anyone famous, and online discussion concludes that it's just a moment of childhood imagination. But I did wonder if this somehow inspired Home Alone.

White Fang (1991 Randal Kleiser)

Jack London was born in 1876 and adopted; didn't know his father; as a young man he was a hobo and a sailor; when he was 21 he went to Alaska for the Klondike Gold Rush where he developed scurvy. So we can assume that the content of his most famous novels, 'The Call of the Wild' and 'White Fang' are autobiographical to some extent. He was an animal activist and the dog fighting is extant in the novel. 'White Fang' has had several film adaptations, the first in 1925.

This is a fine version from Disney and features the same dog Jed (trained by Clint Rowe) who was in The Journey of Natty Gann, also written by Jeanne Rosenberg, here with Nick Thiel. Ethan Hawke, Maria Klaus Brandauer and Seymour Cassel lead the cast.

Photographed by Tony Pierce-Roberts in Alaska; edited by Lisa Day, music by Basil Poledouris.





Sunday, 8 December 2024

Bringing Up Baby (1938 Howard Hawks)

 "The love impulse in man reveals itself in conflict." Hmm. Isn't that every Howard Hawks comedy?



The Trouble With Harry (1954 Alfred Hitchcock)

"That was a two muffin rabbit."

I don't care what anyone says - I don't think Hitchcock is in this one. It was very closely based on a novella by Jack Trevor Story, even down to some of the dialogue.

I have to say that the art direction by John Goodman and Hal Pereira does a great job of matching the outdoor sets to the actual Vermont outdoors.

Some of Herrmann's music sounds like it's written for ducks or geese.

"He's in the bathtub playing with his frog."


Painted by American abstract artist John Ferren



That Christmas (2024 Simon Otto)

An enjoyable enough Richard Curtis / Peter Souter screenplay with a perfectly diverse and ethnically mixed cast of animated characters, aimed at the younger viewer.

With Brian Cox, Fiona Shaw, Jodie Whittaker, Rhys Darby, Bill Nighy, Guz Khan, Lolly Adefope, Katherine Parkinson, bored of listing names now.




Saturday, 7 December 2024

Dalgiesh: Death in Holy Orders (2024 Geoffrey Sax)

Written by Helen Edmundson and Colette Kane, from P.D. James' novel.

Bertie Carvel returns as Dalgiesh, investigating murder, putting Alistair Brammer in his place. Cast of suspects: Anton Lesser, Phoebe Nicholls, Richard Lintern, Lloyd Owen, Claire Goose, Charlie Cain, Michael Jenn.


I was intrigued to read that Carvel took the role after his mother died, and he wondered whether he was using it to channel his own grief, or whether the feelings he felt were helping him play the part.

Films of the Year 2024

The Holdovers. (US)

Past Lives. (US)

Decision to Leave. (S Korea)

The Girl Chewing Gum. (UK)

Letters From Iwo Jima. (US)

An Autumn Afternoon. (Japan)

American Fiction. (US)

The Fall Guy (US)

The Offer (US - OK it's a series but what the hell)

Hana-Bi (Japan)

Never thought I'd be doing this, but - Poor Things (US)

The Holdovers (2023 Alexander Payne)

Wonderfully acted by Paul Giamatti, Dominic Sessa and Da'vine Joy Randolph.

Q says she's in 'dissolve heaven' (courtesy Kevin Tent).

Great, subtle screenplay by David Hemingson, which was Oscar nominated, as was the Film, Tent and Giamatti, who lost to Cillian Murphy in Oppenheimer. Randloph won the Oscar and BAFTA.





The Paradine Case (1947 Alfred Hitchcock)

In many ways an interesting film, well acted and photographed, but very atypical Hitchcock material - the courtroom drama particularly. (Compare for example how economically he treats the court case in Dial M For Murder). And as it was the last film he made for Selznick you sense it was a duty, a contractual requirement.

And I found out it was worse than that. Alma's revision of various scripts, plus the input of Scottish writer James McBride, and a final revision by Ben Hecht, were all thrown out as Selznick himself took it over, and reverted to much of the source novel, making it less cinematic and more wordy. He also rewrote every day and threw out much of Hitch's elegant camera work and British second unit. As McGilligan puts it, "he sabotaged his own film", and thanks to his endless interference, the film lost two million dollars.

Good cast comprises Valli (Alida Maria Laura von Altenburger, also Suspiria, The Spider's Stratagem, Senso), Gregory Peck, Ann Todd, Charles Laughton (who's a horrible sex pest and wife abuser), Charles Coburn, Joan Tetzel (good as his daughter), Ethel Barrymore, Louis Jourdan and Leo G. Carroll (John Williams appears in a non-speaking role).

Made with care. Notice changing light in jail scene between Peck and Valli, (surviving) elegant camera moves in court.


Joan Tetzel, also The File on Thelma Jordan


What is it with Hitch and oversized lamps?


Friday, 6 December 2024

Manhattan Murder Mystery (1993 Woody Allen & co-scr)

A rare collaboration, with Marshall Brickman, who died 29 November aged 85.  "He's very companionable, witty and creative, wonderful to work with." They worked out the story between them, Woody did the writing. Actually our neighbour mentioned it as being the possible inspiration for Only Murders in the Building... don't think so, though it's definitely inspired by Rear Window. 

It rains again.

The setting up of the ending is brilliant. We know it's an old cinema, showing old movies, that has mirrors all over the place, and we see Adler's assistant walks with a stick...

Woody's funny rejecting the whole idea, then becoming more and more nervous of its implications.

I would have to say that Carlo di Palma's operator, Dick Mingalone, is not the steadiest in the world.



Wednesday, 4 December 2024

The Concierge / For Love or Money (1993 Barry Sonnenfeld)

'Dem tings'. The Apartment. Sonnenfeld's mobile camera. Udo Kier - 'Some sweet?'. 'The Doug'. Yeah yeah.

Giraffe: "The Bradbury, please."



After the Party (2023 Robyn Malcolm, Dianne Taylor)

'Is he or isn't he?' And that's it. That's four and a half hours of TV. It isn't good enough. Think about Any Human Heart which is the same length - think about the sweep of that story, how much it throws at you. I know, not every writer can be William Boyd. But there just isn't enough here. That's why I like feature films. You get it in an hour and 40. The surrounding 'stories' in this - her affair with friend's husband, the young gay man, the lonely neighbour, the weirdly androgynous grandchild, are just pap. And you sense the ending is too neat, she won't get away with it. So another 'Why did I waste my time?'

Robyn Malcolm also plays the most irritating lead, who's actions you can't help shouting 'No!' at, and her ex husband is Peter Mullan, who apparently enjoyed being in New Zealand. So someone got something good out of it.



Passing (2021 Rebecca Hall & scr)

She adapted Nella Larsen's novel in a way that is largely a series of dialogue scenes - a filmed play. The crucial scene at the end is annoyingly fluffed so we don't actually know what happened.

Tessa Thompson, Ruth Negga (Loving, Breakfast on Pluto), André Holland (Moonlight, The Eddy).

Quite obscure - is she a drug addict? Emphatic sound track. 

Photographed in 4x3 by Edu Grau.


The 'Drayton Hotel' exterior is the Center for Brooklyn History, and the interior is the Prospect Park Boat House. They also filmed for real inside the Harlem brownstone. Info here.

Tuesday, 3 December 2024

Tess of the D'Urbervilles (2008 David Nicholls)

I wondered when Thomas Hardy wrote - after Dickens, as it turned out, he was influenced by him - and the reason I was wondering was the plot where the poor waif doesn't realise she's heir to a great name (and probably fortune), which is very Dickensian.

It was a bad evening for TV. This is essentially a story about a man who breaks a woman's heart, leaves her to face a life of abject cruelty, then comes back in time to see her hanged for murder. Why did Thomas Hardy write it and why do people want to remake it?

Q thinks it's exactly to highlight what the effects of being in such a male dominated world were - that perhaps it was ahead of its time. That's as maybe but it isn't enjoyable.

Why didn't they just rent the manor they shacked up in, under false names?

Still, a polished adaptation by David Nicholls, directed by David Blair and enacted by Gemma Arterton, Eddie Redmayne, Ruth Jones, Hans Matheson, Ian Puleston-Davies, Christopher Fairbank, Jo Woodcock, Jodie Whittaker, Kenneth Cranham, Donald Sumpter, Rebekah Staton and Anna Massey.

Great music from Rob Lane. Edited by Pia di Ciaula and photographed by Wojchiech Szepel.



Sunday, 1 December 2024

Lethal Weapon (1987 Richard Donner)

Thought it would be a good idea to get an early Christmas film in!

I swear the 2001 Director's Cut is very slightly squished so everyone looks a bit too thin. Disappointingly the Blu-Ray is the normal cut. 

Doesn't the Brad Pitt character in Once Upon a Time in Hollywood also live in a trailer with a dog?

Q on opening suicide: "If I had a body like that, I wouldn't jump."

Murtagh: "God hates me, that's what it is."
Riggs: "Hate him back. It works for me."

The Way (2010 Emilio Estevez & scr, prod)

Martin Sheen experiences the Camino de Santiago across France, Spain and Portugal. Well no, he doesn't experience it, he forges ahead like a steam train, not really taking anything in, adopting a little band of co-travellers - who are Deborah Kara Unger, Yorick van Wageningen and James Nesbitt. Sheen's trying to accept the sudden death of his son, who keeps appearing en route.

It's OK, but if you compare it to IKWIG's sense of place and people it is left for dust.

Also it appears the Dutchman has something more complex going on, but he doesn't, so that's a bit poor. It's all a bit thin but is reasonably distracting.



Stage Fright (1950 Alfred Hitchcock)

I can't quite accept that Jane Wyman is Alastair Sim's daughter. (Come to that I can't accept that she's Sybil Thorndike's daughter either. She was married in real life to Ronald Reagan, which I can't quite believe either. Is the problem that I just don't believe Jane Wyman?)

Has as funny and sudden an ending - has a suddenly funny ending - as that of Vertigo.

With Marlene Dietrich, Richard Todd, Michael Wilding, Kay Walsh, Miles Malleson, Joyce Grenfell, Patricia Hitchcock. Alma adapted Selwyn Jepson's novel and Whitfield Cook is credited for the screenplay. Alma and Cook were both dead against the 'lying flashback' - but if you look at it now, it's quite acceptable - Hitch ahead of the game again. Wilkie Cooper is on camera.

Patrick McGilligan surprisingly neglects to mention how the film went down other than to say it was 'economical and surprisingly profitable'.

What's going on here?

The scene behind Dietrich is back projected. The most obvious answer is they needed to engineer a scene they didn't have from shooting. But is something more mysterious going on? Is Hitch saying 'This is faked'? Because it wouldn't surprise me.

What's the art? I couldn't track it down.

Yeah, bored trying to find that now. When I image searched it, lots of weird and wonderful things came up, including Dali's paintings for Spellbound! I asked William Boyd: "Best first guess: the English surrealist EDWARD WADSWORTH. It looks like his work – surreal -- he used these elongated canvases (very rare) and Hitchcock had already used Dali’s work – so was familiar with surrealism. Check Wadsworth out – I think you’ll see the resemblances."


Hitch was disappointed with both Wyman and Todd.

And Sim annoyed Hitch by constantly hamming it up.

Naissance des Pieuvres / Water Lilies (2007 Céline Sciamma & scr)

Well that doesn't translate as 'Water Lilies'. Literally it means 'Birth of octopuses'. But according to the director "Pour moi, la pieuvre est ce monstre qui grandit dans notre ventre quand nous tombons amoureux, cet animal maritime qui lâche son encre en nous. C’est ce qui arrive à mes personnages dans le film, trois adolescentes, Marie, Anne et Floriane. Et justement, la pieuvre a pour particularité d’avoir trois cÅ“urs. » La « naissance des pieuvres », c'est donc la naissance de l'amour à l'âge de l'adolescence." In other words, the feeling of adolescent love growing in the stomach like an octopus.

She does catch these girls well. Pauline Acquart is the shy one who develops a fixation on a 'slut' on the swim team, Adèle Haenel, and in doing so betrays her better friend Louise Blachère.


And I have to say the synchronized swimming looked brilliant, and hard to do.

It was filmed in Cergy, Val d'Oise, a 1960s 'New town' about an hour and a half to the northwest of  Paris.