According to the director in 'Peter Bogdanovich: Interviews' (editor Peter Tonguette) 'it was recut completely by Dino de Laurentiis. It's not a good picture, and that's why'.
Also I thought the two hoods are played too broad - unusual in one of Peter's films where the casting and direction are usually spot on.
Otherwise it's made with his customary verve with lots of energy both within scenes and from scene to scene. It's written by Max Dickens (his only credit) and Michael Kaplan (scant details).
Howards Hawks framing |
Colleen Camp |
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