Daisy Edgar-Jones and Paul Mescal are the young lovers, frequently in close up, often not saying a lot. The sex scenes feel more intimate than most. They're both frustrating characters, he because he keeps hiding his feelings in broad daylight, and she because she looks like she's going to kill you with a bread knife at any given moment. Her's is unquestionably a fucked up family.
Chapter in Italy is uncomfortable. Ep 10 is particularly downbeat as he becomes depressed following his mate's suicide - they didn't seem close, so it's puzzling - and revealing he doesn't fit in - she's still in Sweden following relationship with another dodgy bloke. Also I'm beginning to be distracted by that little 'um' Mescal keeps doing.
With Sarah Greene, Aislin McGuckin, Desmond Eastwood, India Mullen, Sebastian de Souza. Photographed by Suzie Lavelle (first six), Kate McCullough.
Two actors getting to know each other |
It feels honest, anyway, and I have a feeling that the situations and emotions on display would have resonated with many people.
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