George Clooney, John Turturro and Tim Blake Nelson are terrific as the hapless trio. With John Goodman, Holly Hunter, Chris Thomas King, Charles Durning and Michael Badalucco as 'George' Nelson.
Roger Deakins is having fun with a crane, which he uses a lot. The look of the film is unique - it was shot very clean (in fact the Coens viewed this footage as 'disgusting'), then digitised (only at 2K though) and digitally colour corrected (at Cinesite), so you get some very washed out stuff, plus richer tones e.g. in bonfire light scenes. Not the first film to be managed in this way (Pleasantville). Shot in Panavision Super 35 (not anamorphic) 'The spherical lenses have the effect of pulling the audience closer to the characters; it's more intimate'.* He and the screenplay were both Oscar and BAFTA nominated.
Roger at the end of one of his impressive crane shots |
Difficult to catch how great Clooney's goosing is! |
Dennis Gassner oversaw production design, Mary Zophres supplied the costumes (as always), Ethan's wife Tricia Cooke helped the brothers edit it.
Is the scene when they wake up after the sirens a nod to The Trouble with Harry?
Font is Dolmen |
*Deakins quoted in ASC interview.
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